Cameron V. Keiber is a Boston MA based Art Director working in the Film/TV/Commercial/Stills industry for over 25 years. He grew up around the 1980s and 90’s New York City performance and art scene before moving to Massachusetts and becoming a part of the regions indie music scene. His art direction work has borrowed from styles such as neo-realism/vérité to hyper realism to fantasy. He has worked with directors such as James Mangold, Stacy Peralta, Ben Affleck, Dennis Dugan, Tarsem, Errol Morris and many many other wonderful and talented film and commercial directors. While working hand and hand with a bevy of international production companies, clients have included Liberty Mutual, Puma, Dodge Trucks, Massachusetts Tourism, 47 Brand, Sam Adams, Mass Mutual, Reebok, New Balance, Northrup Gruman, Samsonite, Titleist, McDonalds, The Lottery (multiple states), Draftkings, Jet Blue, WB Mason and many more notable companies providing shoots with Art Direction and/or Prop/Set Dec. expertise.

In the film and television world Keiber has worked on Chasing Life (ABC Family), Pause w/ Sam Jay (HBO), Grown Ups 1+2 (props dayplayer), Gone Baby Gone (assist onset dresser), The Town (props dayplayer), Ghosts of Girlfriends Past (props dayplayer), Edge of Darkness (props dept), Thats My Boy (props dept), Knight and Day (props dept), RIPD (props dept), The Unknown Known (props dept), Chaos (Netflix, Art Dir), Ted 1+2 (props dept) and many more fine programs and films.

Cameron is a member of the Art Directors Guild IATSE Local 800 as well as IATSE Local 481 as a Propmaster.

Keiber runs the boutique indie label, Midriff Records, with his brother Clayton Keiber. He is always releasing new music and will for the foreseeable future. For information regarding his music career and plans/ideas/bitch session on the music industry, please visit www.midriffrecords.com for info and contact. In his spare time he paints, plays with light and direct videos for his various music projects.